Balakrishna appears in two roles in Akhanda. The principal ladies in Akhanda are pragya jaiswal and Poorna, and the movie is financed by miryala ravinder reddy and handled by boyapati Srinu. The film begins with a police search for anti-socials in Karnataka's Dandeli Forest, before moving on to Rayalaseema. bala Krishna has a mass combat introduction, which is worth watching for fans. As the district collector, Pragya enters the story and admires bala Krishna for his excellent acts in the district.
Srikanth is introduced as an illegal mine owner, and the director attempts to portray him as a harsh individual but fails miserably since the audience feels alienated. When uranium is discovered in Srikanth's mine, others approach him for a buyout, which srikanth refuses. bala Krishna and pragya jaiswal marry in the meantime. After a lengthy usual mass scene between bala Krishna and srikanth, the second bala Krishna appears just before the intermission. Fans will enjoy yet another over-the-top action sequence.
The film is a typical
boyapati mass drama with a thin plot. The pre-Interval sequence is quite long. The movie's fate will be decided in the second half, which opens with the second
balakrishna taking over the screens and
balayya lecturing about
god and how science did not work out on screen.
bala Krishna makes a Hindu Dharmam lecture.
bala Krishna and the main antagonist in typical
mass scenes. We also saw some high-octane action scenes. Finally, both Balayyas take part in the film's conclusion, which concludes with an emotional sequence.
The
movie is technically rich with thumping songs and astounding background score and some rich visuals. However,
boyapati yet again fails to focus on storyline and he has completely taken the
movie just for the masses and
balayya fans alone in his mindset and that's obvious in every frame.
