Is Mumbai's tinsel town's movie mafia becoming uneasy? Is climbing Nanda Devi proving to be difficult while maintaining optimism or high hopes? The worldwide box office success of SS Rajamouli's rrr and Prashanth Neel's KGF: Chapter 2 make the bollywood statistics look pitiful in comparison. The losses are also shrouding hindi film industry superstars, actresses, and producers in an unsettling cloud of mistrust. What will it take in this situation to guarantee a sudden cloudburst? Is courting the South to collaborate on initiatives sufficient?

You may excuse it by claiming that "Bhool Bhulaiyaa 2 is making money." Kartik Aaryan, who has a boyish appearance, has reason to rejoice given that his role is expected to earn more than Akshay Kumar's film did (almost Rs 250 crore) (Rs 83 crore). Does it even make sense to dance over clubs worth $100, $200, or $300 million when the topic is over $1 billion? The kashmir Files (Rs 251 crore), directed by vivek Ranjan Agnihotri, would not be taken into account because the director has always been very clear that he is an independent filmmaker whose operations have nothing to do with how the industry's levers operate.

In addition, we doubt Bollywood's blue-collar class would even consider calling the successful drama a product of their circuit because there are no stars in it. Call it frigid or stepmotherly, but Agnihotri seems unfazed by the treatment he receives on a regular basis. The director is currently preparing to release The delhi Files, another truth bomb, next year while on a tour of humanity around the world. It appears that he will enjoy donning the director's hat once more, judging by what the indian public craves (well-knit storylines rooted in thorough historical and political research).

Khiladi Kumar has been heard warning his fans that if Dr. Chandraprakash Dwivedi's historical magnum opus (Samrat Prithviraj), in which the 54-year-old actor plays a young and dashing Chauhan, fails, he will return to doing his regular money spinners Rowdy Rathores and Housefulls. Even as we write our thoughts on Bollywood's inability to break this numerical stronghold of the South film industry, Kh He may have forgotten to consider whether his "shenanigans" including lewd comedy franchises will be accepted by moviegoers who have recently developed a taste for indian and relevant cinema produced by the telugu and kannada film industries.

Have you ever heard of Jigarthanda's remake, Bachchhan Paandey, directed by Farhad Samji? With that film of his earning just Rs. 14 crore and Samrat prithviraj battling to even enter the 100 crore club, Kumar's suffering, dissatisfaction, or whatever you want to call his state of mind, is deserved (standing at Rs 63 crore now). It seems that movie enthusiasts are becoming extremely picky. Or are they tired of the opportunism that is pervasive in the hindi cinema industry and has become, like a cat out of the bag, too obvious? Razneesh Ghai's dhaakad serves as an illustration (which earned an appalling Rs 4 crore only). We have no doubt that kangana ranaut has felt the pressure.

The industry was quite surprised by Sukumar's Pushpa: The Rise's popularity in the nation's hindi heartland. bollywood never imagined that a thug-like allu arjun would be preferred over Ranveer Singh, playing the legendary kapil dev in Kabir Khan's 83 (Rs 190 crore earned against a budget of Rs 271 crore), which retold the story of the indian cricket team's illustrious world cup victory against the west indies in 1983. The film ended up grossing Rs 365 crore (made on a budget of Rs 200 crore) at the box office. However, given how the telugu sector has consistently dominated the discussion of numbers by providing leadership, the mumbai power brokers should have anticipated this.

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