Bimbisara marks Vassishta's feature film debut. For his first try, he chose an intriguing folklore theme and gave it a fantastical spin typically seen in telugu Yama movies. Yama dharma Raju-based films have a long history in telugu cinema. Over the years, many of the components from such films have come to represent tropes. Vassishta skillfully combines these tropes in Bimbisara's folklore-inspired scenario, which features a sizable kingdom and twin brothers as the successors.

This reworked Yama fantasy element—combined with the archetype of the evil king—works for Bimbisara. Due to the seamless screenplay, one is hooked from the beginning. It is despite the very obvious execution and content flaws. It is more apparent in the early half. After an exciting section that unites the two timelines, everything turn out well in the second half. Even though some of what happens later may seem nonsensical if one gives it some thought, it still manages to maintain one's interest.

The plot skillfully incorporates the tracks of the young girl and the riches. The developing character arc of Bimbisara completes the picture, and the writing further strengthens the action. Despite all of this, one has the impression that a formidable antagonist could have increased the drama and intensified the conflict. Despite everything that has transpired, we only remember and feel ram -Latest Updates, Photos, Videos are a click away, CLICK NOW'>kalyan ram when it is all done. His well-done characterizations aid in moving the plot along. Overall, the plot of Bimbisara portrays well-worn clichés in a novel way, and the writing is fluid. They do a good job of keeping the audience's interest. If you enjoy folktales, see the movie.