The general public has always appreciated Karthi's rural escapades, and the actor is returning with his newest movie, Viruman, set in the same locale. A son challenges his father for a variety of reasons in the Madurai-set movie.

In Viruman, karthi plays a man who works for the neighbourhood decorators, and his connection with his father is strained because of a troubled background that includes the passing of their mother. The film's main focus is on the causes of the rift and the means by which the family reconciles, and it proceeds from beginning to end in a formulaic fashion. The movie barely offers anything new, but Muthaiya kept to the essentials and gave it his own unique presentation.

Karthi did a good job, but the movie is too similar to his earlier country movies, and he also has a bit of a low energy level. The performer, however, excels in the dramatic parts and delivers the lines precisely. Aditi shankar makes a strong first impression and establishes her viability. Prakash Raj, who plays an utterly villainous character, played his part admirably, and the movie also benefits from the strong supporting performances of Rajkiran, Singam Puli, Soori, and the others. The film has decent photography and music, with Yuvan's score providing a strong BGM and catchy melodies.

The actors, who give one-dimensionally written characters flesh and blood, are mostly responsible for the parts that work. Like Prakash Raj, who, especially in the closing scenes, helps us look past Muniyandi's flaws and transforms him into someone who might be given the chance to change. While raj kiran and karunas provide legitimacy to strictly practical characters, soori manages to come up with a few one-liners that are both funny and poignant.


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