It is possible to have a biassed perspective when reflecting on one's own past. The Fabelmans, a film directed and written by Steven Spielberg and based on his own life and family, does some of that. Spielberg is able to look back and consider the past via a dramatised prism throughout the most of the movie, though. As a result, the director's family life is depicted delicately. The Fabelmans, co-written by Tony Kushner and supported by a superb ensemble, is real, heartfelt, and laser-focused as it develops the family drama at its core.

The Fabelmans features Sammy Fabelman (Gabriel LaBelle), a 16-year-old with a penchant for producing home videos, and is primarily set in the 1960s. Sammy moves from New jersey to Arizona to california with his family, including his mother Mitzi (Michelle Williams), a pianist, father Burt (Paul Dano), a computer engineer, and sisters Reggie (Julia Butters), Natalie (Keeley Karsten), Lisa (Sophia Kopera), as well as Burt's best friend Bennie (Seth Rogen). Things start to fall apart around Sammy once he learns a family secret, and he turns to movies as his only solace.

Despite this, The Fabelmans is nonetheless incredibly charming, filled with delicate and exposed moments. There is a sense of calm about it, and Spielberg does a good job of balancing a few humorous moments with a lot of heart. Even the more intense scenes are depicted with kindness and patience. It seems as though Spielberg is gently sifting through his own memories, opening the doors to each one and bringing a lot of love and light with him. It makes for a thoughtful, interesting, captivating, inspiring, and moving movie. It retains its identity, and Spielberg is more than content to maintain a close-enough yet far distance.

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