Producer dil raju is a wise one. He is aware of the proper financial strategies and marketing tactics, and up to this point, he has greatly benefited from them. However, dil raju has since revised his position on promotions. dil raju recently stated in an interview that content is now the only thing that matters and that promotions are not really necessary. He used the example of Kantara to illustrate how, despite receiving very little promotion, the movie exploded at the box office across all key markets.
Dil Raju seems to be taking his promotions lightly. He seems to believe that the content is more than sufficient. The fact that he hardly put together a robust promotion strategy for his most recent performances, Masooda and love Today, suggests the same. love Today in particular had enough youthful content to draw in the audience and was a smash in Tamil. In Telugu, it's doing alrightishly, but with more promotions, it may have done even better.
Dil Raju seems to be taking his promotions lightly. He seems to believe that the content is more than sufficient. The fact that he hardly put together a robust promotion strategy for his most recent performances, Masooda and love Today, suggests the same. love Today in particular had enough youthful content to draw in the audience and was a smash in Tamil. In Telugu, it's doing alrightishly, but with more promotions, it may have done even better.
Dil Raju seems to be taking his promotions lightly. He seems to believe that the content is more than sufficient. The fact that he hardly put together a robust promotion strategy for his most recent performances, Masooda and love Today, suggests the same. love Today in particular had enough youthful content to draw in the audience and was a smash in Tamil. In Telugu, it's doing alrightishly, but with more promotions, it may have done even better.
Dil Raju seems to be taking his promotions lightly. He seems to believe that the content is more than sufficient. The fact that he hardly put together a robust promotion strategy for his most recent performances, Masooda and love Today, suggests the same. love Today in particular had enough youthful content to draw in the audience and was a smash in Tamil. In Telugu, it's doing alrightishly, but with more promotions, it may have done even better.
