Arjun Pathak (Kartik Aaryan) is a former time media outlet show anchor who has been 'disqualified' to a media industry's Radio Jockey due to management's 'moral' and 'cultural' difficulties. His private life has also taken a turn for the worst, as his spouse Soumya Mehra Pathak (Mrunal Thakur) has asked for a divorce on common agreement. Soumya is a senior correspondent for the same organisation as arjun – TRTV – and is known for being a reporter who respects the standards of journalism in her job.

Arjun receives an urgent call on his radio broadcast one day, threatening to blow up Mumbai's sea Link in 10 min. arjun dismisses the call as a prank and, in an error of judgement, encourages the speaker to prove it. As the caller detonates the very first bomb put on the sea Link, Arjun's life has taken a dramatic change. arjun, seeing this as an opportunity to make a comeback, chooses not to alert the police about the caller and instead strikes a deal with the channel's boss, Ankita Malaskar (Amruta Subhash), to return his prime-time position in exchange for this exclusive news. She agrees, enticed by the chance to boost the channel's popularity.

The lead actors' acting is a highlight of the movie. Kartik Aaryan, Mrunal Thakur, and Amruta Subhash deserve praise for their portrayals of their respective characters. It's wonderful to see Kartik deviate from his usual role as a romantic hero. His character is perpetually torn between morals, wealth, and the spotlight. When he progresses through his key sentence, he depicts arjun Pathak's duplicity.

Ankita Subhash takes on the role of a ruthless and manipulative channel president who reminds her colleagues, "We are not doing reporting." We're in the media business! Mrunal has a firm grasp on her image as a moral and ethical writer. The picture succeeds as a thriller because of its plot, but the grip loosens as it progresses. The plot of the storey will make the audience think of A Wednesday. It's a difficult task to complete.

In a nutshell, the film is for folks who enjoy thrillers yet aren't bothered by narrative gaps.


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