Regardless of the type of movies they direct, there are two distinct star director types in Tollywood. Several writers are employed by several filmmakers, like rajamouli and Sukumar, to produce stories, screenplays, dialogue, and even new screenplays. Then there are authors like puri jagan and trivikram who pen the entire work. And now for something intriguing.
While puri Jagan's most recent narrative writing has severely impacted the director's career, trivikram continues to write believable emotions, amazing dialogue, and fantastic screenplay despite doing so for the past 20 years. He is unable to create original stories, instead producing monotonous masala mixtures with satirical undertones in his meditations. None of Puri's most recent movies received praise for their stories, with the exception of Temper, whose story is provided by Vakkantham Vamsi. And Liger's writing is the worst of them all.
It may be time for puri jagan to stop insisting that his movies always have his original stories and start hiring some writers or buying existing stories so that he can concentrate on the dialogue and actual filmmaking. The new-gen audiences will no longer enjoy his pictures if they have poor or no stories. The era of gratuitous group punches and straightforward spicy content is finally over.
While puri Jagan's most recent narrative writing has severely impacted the director's career, trivikram continues to write believable emotions, amazing dialogue, and fantastic screenplay despite doing so for the past 20 years. He is unable to create original stories, instead producing monotonous masala mixtures with satirical undertones in his meditations. None of Puri's most recent movies received praise for their stories, with the exception of Temper, whose story is provided by Vakkantham Vamsi. And Liger's writing is the worst of them all.
It may be time for puri jagan to stop insisting that his movies always have his original stories and start hiring some writers or buying existing stories so that he can concentrate on the dialogue and actual filmmaking. The new-gen audiences will no longer enjoy his pictures if they have poor or no stories. The era of gratuitous group punches and straightforward spicy content is finally over.
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