The movie begins with a legal dispute between ravi shankar and Sanjay Swaroop. A lawyer narrates the story of Bhagavanth Kesari. Sarathkumar is the Jailer and Balayya's intro inside a Jail with a fight was a typical mass hero one. kesari becomes a caretaker of Viji (Sree Leela). Just before the interval a conflict arises between balayya and sree Leela. 

Post-interval, balayya dons a powerful get-up and this is the surprise package that balayya mentioned in the pre-release event. The episode in which kesari educates the young girls about Child molesters is very well written. The director/dialogue writer is able to get emotions right in this scene. Finally, towards the climax, Sreeleela flexes her muscles, and the scene is nicely written and it is whistle-worthy.

Excellent one. In dialogue, feeling, and mass action blocks, anil ravipudi has performed incredibly well. Forty minutes before it is massy and during the interval episode. balayya is a perfect fit for the age-appropriate part. Sreeleela demonstrated her acting abilities. Following akhanda, Thaman offered kesari his greatest BGM. Conversely, Kajal episodes last 15 minutes and are normal.

Bhagavath kesari is a reliable performer in the business. Better than the first half, the second half is racy. For admirers, balakrishna is superior to akhanda in his role as Kesari. The entire movie has some really potent speech that doesn't go crazy. Blocks with mass action are successful. Ladies, the emotional portions came off well, and Sreeleela's performance is really surprising. Anil Ravipudi, the director, captured Balayya's flawless body language. Thaman is typically suitable for a wide audience. Fans and masses can benefit from Bhagavanth Kesari's KCPD. women will enjoy the feeling. One-time simple viewing for others throughout the holiday season




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