The 18-page screenplay is not linear. It is the most effective technique to tell this story. However, this back-and-forth narration wears thin to the point where it often turns us off since it emotionally distances the spectator from Nandini's story. By disclosing minor things one at a time in the first scene, Nandini captures the audience's attention. The second part is primarily about solving the puzzles and having siddhu complete Nandini's unfinished good deeds. 

Although it follows a well-known path, it never becomes monotonous. Without interruption, the movie maintains its tone and mood the entire time. The movie never strays from its basic plot in any way. With the lead actor's astute probe into mystery, the movie quickens. The concealed crime issue is explored in depth here. Even though the conclusion drags on and on, it keeps spectators glued to their televisions until the very last moment.

This demonstrates the desire for siddhu and Nandini to be united. It is geared toward individuals who cherish love. There are several excellently worded dialogues. love quotes are also moving. Impressive background music composed by Gopi Sundar. The conclusion drags a little. Despite its pacing flaws, 18 Pages does have its moments. Nevertheless, the movie is a moving love story with a good heart. The heartstrings are pulled by siddhu and Nandini's love story. You should watch it.

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