Actress Hansika Motwani, after a three year break, returned to telugu cinema with the film titled My Name Is Shruthi, which premiered today. This gripping thriller, which has Hansika in the lead, has been directed by srinivas Omkar. Let’s take a look at whether the film is a hit or a miss.

Shruthi, played by Hansika Motwani, is employed at a hyderabad ad agency when an unexpected event transpires in her apartment. Subsequently taken into custody by the police, she undergoes interrogation, unveiling a series of mysteries. The film delves into the events in Shruti’s flat, the connection with mla Gurumurthy (Aadukalam Naren), and how Hansika’s character resolves the unfolding issues.

Hansika Motwani, known for her bubbly roles, takes on a distinct theme. She delivers a commendable performance, particularly in the latter part of the film. The plot delves into the intriguing concept of medical mafia, a novel subject for telugu audience, skillfully handled by director srinivas Omkhar. The second half unfolds an engaging narrative with decent twists, ensuring the audience remains captivated. Noteworthy performances come from murali Sharma and Praveen, while the remaining cast contributes adequately to their roles.

While the chosen storyline is acceptable, the director missed an opportunity to delve deeper into the skin mafia concept. The makers could have added an informative layer to the narrative by highlighting real incidents. Hansika’s performance brings interest, but there’s room for improvement in certain scenes. The second half is well-narrated with ample twists, but the director stumbles in maintaining a similar pace and a compelling screenplay in the first half. Unnecessary scenes contribute to a slow start. In her telugu comeback, veteran actress prema takes on a different character, but the script fails to showcase her negatively and doesn’t provide enough screen space to highlight her performance effectively.

Srinivas Omkar manages to tell the story effectively; though a more focused approach on the first half could have enhanced the overall impact. Editing, especially in the second half, could benefit from some tightening. Cinematography is satisfactory, and the production values are decent. Mark K Robin’s music succeeds in creating a suspenseful atmosphere.