Shiva adores his family, and his dad, Prakash Raj, is a vijayawada municipal planner. In vijayawada, the enemy kasi is a dominant enterprise, and his rowdyism troubles several innocent lives. Finally, the villain is defeated by the son, who delivers honour to his father. shiva (Gopichand) thunders that his raging hand can trigger an earthquake to strike the villain's body in one of the film's early sequences.


The tale is staged by writer Vakkantham vamsi in a style that suits B Gopal's antique tastes. The equations between the father and his kid are a little unpredictable, which is a positive quality. This innate strength is squandered before it can even be fully understood. Brahmanamdam is given the opportunity to engage in some obscene romance with Nayanthara.


The film takes its time returning to the primary plot, in which a bipolar competition between Vijayawada's greatest hooligan and a father-son team follows a tried-and-true script. Our film heroes disgrace feared gangsters in public and react with surprise when they retaliate against their family members. The build-up shots are choppy, as are the half-baked elevation sequences, which Mani Sharma's BGM couldn't redeem the sinking movie.
For more interesting updates wa click and follow Indiaherald WhatsApp channel

Find out more:

aaradugula review

SIBY JEYYA

09/10/2021 09:45 AM