At Pulicherla, Veera simha Reddy (Nandamuri Balakrishna) is a strong man who looks out for his community. His kid, jai simha Reddy, lives in Istanbul without knowing who his father is. Why do the father and son reside in different homes? What does Bhanumati (Varalaxmi Sarathkumar) desire to murder Veera simha Reddy, and who is she? The overall plot of the film is formed by the responses to these queries.

Once more, Nandamuri balakrishna plays a dual role. There is a younger component and an older part, as is typically the case. balakrishna looks fantastic in both of his personas here, unlike some of his previous appearances. Undoubtedly, the elder one is the dominant one. The appearance of the older balakrishna figure has been masterfully created. It is his finest effort in that area. The effect is enhanced by the careful attention paid to the body language as well. The action scenes in this avatar look fantastic and improve the proceedings. 

There is no need to draw attention to the dialogue delivery. As one might anticipate, it is strong and precise. The emotive scenes are handled well. In Veera simha Reddy, shruti haasan plays the stereotypical flowerpot heroine character. She mostly makes an appearance in the first half and has a song, but she loses her way in the second. She has said nothing about this widespread emotional turmoil.

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SIBY JEYYA

12/01/2023 09:52 AM