Veerayya's character debuts in an episode with shoddy visuals in which he saves indian Naval Officers who have been abducted. Now, consider this a cinematic liberty and ask yourself why the indian Army needs assistance from a fisherman. Moving on, Veerayya is on duty in malaysia to apprehend Kaala's brother and criminal Solomon (Bobby Simha). Although there is room for humour here, it comes off as very forced and doesn't add much. 

Chiranjeevi made an effort, but only a couple of his scenes were memorable. The intermission block is excellent. Some features in the first half may appeal to lovers of the classic Chiranjeevi. The beginning of Gopichand Malineni's script is a little rough. The introduction episodes for younger balakrishna and shruti haasan are fairly average. The movie shifts into high-octane action mode when Veera simha Reddy appears. The director deftly inserted strident political debates critical of the current administration.

Balayya looks great in his Veera simha attire. A racy first half was aided by the actor's body language, sentence delivery, and scene scale, among other things. Naturally, the second half begins to decline once the first half reaches such a high point. The filmmaker chose a cliched story for the second half, and the handling is also sluggish, which compounds the issues.

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tollywood

G GOWTHAM

13/01/2023 11:24 AM