Manikandan is regarded as one of the most influential directors of his time. Manikandan's screenplay is sick, despite the fact that he has only directed four films. He introduces a few issues into a simple storey and then gradually dissolves them, passing on the nostalgia and absurdity of ordinary life through the return to simplicity.

In the film "Kaka Muttai," the boys have a strong desire to eat pizza. In the film 'Crime is Punishment,' the temptation to perform eye surgery on the protagonist. 'Lord Command's' protagonist wishes to travel overseas. All three films would have ended there if the boys had finally recognised that Grandma's baked pizza was fine, if the doctor who revealed the truth about the impossibility of eye surgery had said so from the start, and if the man had met the boss at the passport office without hesitation. That is also Manikandan's style. However, in the film 'Kadaisi Vivasayi,' he entirely abandons his normal manner, crosses over to a new platform, and completes himself as a creative guy.

Manikandan's social concern, which begins with the representation of a simple hamlet free of violence and continues uninterrupted until the end of the film, stands in stark contrast to the film industry's inclination to portray villages as abodes of violence. The truth is that in any other film, the virtues of oppressed individuals do not come across as well or naturally. Despite the fact that they were all village guys, none of them said anything negative. No one chooses violence as a solution when circumstances require it; no one picks foul words as a solution when circumstances compel it; women are not disrespected in any way. The majority of the time, they are not participating in alcohol-related riots.
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G GOWTHAM

30/03/2022 12:00 AM