The first half of SIR is interesting, promising, and filled with emotion, humour, and drama. The movie is strong up until the intermission. Even the first thirty seconds of the second half are passable. After this, it is a significant letdown after a promising beginning. The latter part drags because of poorly directed scenes, sentimental moments, and an uneven climax.

In fact, SIR makes us think of Rajkumar Hirani's 3 idiots and Shankar's Gentleman, both of which are centred on the education mafia and highlight its flaws. One also thinks of the class conflict depicted in Dhanush's former movie raghuvaran B.Tech. SIR's treatment bears significant similarities to Raghuvaran, in which an underdog battles a strong empire. The SIR is a predictable story as a result of these familiar scenes. However, the movie has its unique assets that help it succeed.

The honesty and fundamental emotion of SIR's story are its finest qualities. The film's heart is in the right place, which is what matters most. Impactful scenes feature the lecturer and pupils. They have a strong link and chemistry, which effectively serves as a strength. Tilak merits praise for the manner he instills inspiration and excitement in his students. The movie features a significant number of sequences that will make you applaud and whistle. The background music by gv prakash is what brought the scenes to life. The plot has been elevated by the graphics and soundtrack.

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