The first one came to a close with Chola chieftains plotting a rebellion against their own and Pandiya rebels swearing to shed royal blood. The question of who would rule as the next king—Prince Aditya Kariklan, the reclusive prince Arunmozhi, their estranged Uncle Madhuranthakan, or Pandiya rebel Amarabujanga—set the scene.

Amarar Kalki's epic writing skillfully weaves a web of riddles, intrigues, political unrest, and approaching conflict with a sense of surprise and shock at every turn. Maniratnam takes on a tremendous amount of responsibility in order to honor the sweeping tamil classic. The tale moves at a leisurely pace as more knots form and takes unexpected turns. A sure-fire winner is skillfully delivered by the master in a cautious, assured, and assured manner.

With a feeling of surprise and shock at every turn, Amarar Kalki's epic prose deftly spins a web of puzzles, intrigues, political turmoil, and impending conflict. To honor the sweeping tamil classic, Maniratnam assumes a great deal of responsibility. The story unfolds slowly as more knots appear and take unexpected turns. The maestro effectively delivers a sure-fire winner in a cautious, confident, and confident manner.

Even though ponniyin selvan is marketed as a multi-starrer, each character has a significant role, and the film works best when you ignore the fame of its stars. For instance, you won't hear whistles during the scene where Vikram, Karthi, jayam Ravi, and trisha share screen time since the gravity of the situation will keep you riveted. Two of the second part's most moving scenes feature aishwarya Rai in a role that both the author and the filmmaker support. The entire cinematic package works to enhance Aishwarya's possibly best role to date.


Regardless of screen time, every character leaves a lasting impression and a unique location. The length of the film did not waste or compromise any of the characters. Once more, this demonstrates Maniratnam's confidence in providing adequate space between scenes. Because there is no sense of hurriedness in the sequences, each character has their turn in the spotlight.

You won't stop watching the movie to appreciate the technical accomplishments, which is a testament to the technical department's success. They all easily meld together. Be it the songs or the excellent background music by AR Rahman. Excellent art design with meticulous attention to detail for Chozas and Pandyas. Regardless of how far back in a scene they will be standing, the outfit design, and many actors who grew facial hair. The usage of computer graphics is tasteful and efficient without being overt. Once more, a deliberate choice not to be duped by expectations and comparisons.

AN EPIC CONCLUSION TO AN EPIC DUOLOGY




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