Despite its technical shortcomings, a film with a subject that touches on human emotions always works. When an innocent life is on the line, we are more likely to sympathise with and forgive the filmmakers' errors. Ayngaran is one of these films, and it offers a powerful social message about the government's inability to recognise creativity and innovation in the country. Ayngaran works in portions, despite the fact that the core plot has been done to death in tamil cinema. It's about a dedicated mechanical engineer who creates a contraption that not only saves an innocent child's life but also uncovers a strange theft case.

Mathi (GV Prakash), a mechanical engineering graduate, opens the film by attempting to market one of his inventions. However, the person to whom he presents the project is dismissive, claiming that the invention is useless. Wherever he goes, he is met with rejection, and mahima Nambiar, his love interest, is the sole bright spot in his life. As time passes, Mathi and his friend kaali venkat visit a chicken farm and uncover a peculiar activity taking place there. He captures it and makes it viral, which has an impact on Magudi, the farm's owner and a powerful businessman.

A sub-plot concerning a group of six persons from the north doing a massive diamond theft in the city runs concurrently. Mathi comes across this group by happenstance while trying to avoid Magudi. Meanwhile, we see that a four-year-old girl has fallen into a borewell pit on private property, which has caused quite a stir. The story's arc is completed by how it relates to Mathi's life and how his innovation resolves all difficulties.

Certain commercial elements, such as the love scenes, felt pushed into the story and could have been avoided with such a touchy subject.
In the second half, all of the characters are given sufficient closure, making the film more convincing. The protagonist's battles with all of his foes are likewise well-written. Though Nayanthara's 2017 film Aramm addressed the same social issue, it should be remembered that this film was written long before Aramm.

GV Prakash gives a strong and mature performance. He's a good fit for the part. The stunts seem realistic thanks to the stunt choreographers. Slow motion images work effectively during action situations, and this is one of the film's highlights.

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