Farhana (Aishwarya Rajesh), a pious Muslim woman whose family struggles to maintain their modest footwear company, is introduced to us in the tale. With the approval of her family, Farhana makes the difficult decision to work at a Call Center. She switches to a new team that offers stronger incentives as a result of her infant's serious health condition.

She gradually realizes that her everyday interactions with lonely, sexually motivated strangers are part of her new routine. Things change when she meets a singular person whose manner captures Farhana's attention. However, their choice to meet despite her family history and workplace regulation leads to more problems.


Aishwarya Rajesh expertly inhabits the role of Farhana, enhancing the story with her depiction of a Muslim woman coping with peculiar adversity. However, despite the fact that Farhana's setup and premise had the potential to include more original moments, the movie occasionally follows well-worn narrative conventions before to the big reveal. Farhana's quick decision to meet a stranger despite her religious misgivings also lacks credibility.

However, the first few scenes' conflicts are actually compelling and are complimented with logical writing. The director handles delicate issues deftly, although superficially.  Despite restricted locales, the cinematographer successfully communicates thrills, putting the spectator in Farhana's universe. Jithan Ramesh, who plays aishwarya Rajesh's husband, gives a noteworthy performance. Ramesh's character is expertly created as a modern Muslim guy with his own vulnerabilities. aishwarya Dutta makes an impression with her noteworthy performance, which is mostly seen in the first half. With the help of seamless editing and a background score by Justin Prabhakaran, the tension in this plot is effectively increased.

Overall, A SOLID THRILLER!





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