Three blockbusters have already been released in Telugu, including Bimbisara by kalyan Ram, Sita Ramam by Hanu Raghavapudi, and karthikeya 2 by Nikhil. Of course, everyone who saw the movie is ecstatic, and the movie's creators are even happier with the reviews and box office receipts. However, tollywood must first comprehend what these three box office successes are truly trying to tell producers and directors.
First of all, out of the three, Bimbisara is the box office sensation that is thoroughly captivating the audience. The main lesson to be learned from this movie is that while item songs, masala moments, comedies, and romance can still be included in a typical commercial film, the content should be original. It is a novel idea that is handled rather well: a prehistoric ruler travelling through time to enter the current world.
Make commercial films with a splash of innovative ideas, in short.
Then comes Sitaramam, which is succeeding in the classroom theatres and making enormous profits in the international market. Get your aesthetics perfect, use a straightforward plot, and your movie will be a smash hit. Hanu Raghavapudi produced the movie without any crude humour, any hint of glitz, or even a number-one hit song.
The bottom line: When crafting amusing stories, presentation is everything.
If we must borrow from Karthiekya 2, we can say that the story is entirely original and that the movie is based on a mythological idea. Although there is no significant romance or other typical spice, the audience was captivated by the idea from the very first shot.
The bottom line is to create a new story with an audience-wowing core key notion rather than altered emotions or relationship dynamics.
First of all, out of the three, Bimbisara is the box office sensation that is thoroughly captivating the audience. The main lesson to be learned from this movie is that while item songs, masala moments, comedies, and romance can still be included in a typical commercial film, the content should be original. It is a novel idea that is handled rather well: a prehistoric ruler travelling through time to enter the current world.
Make commercial films with a splash of innovative ideas, in short.
Then comes Sitaramam, which is succeeding in the classroom theatres and making enormous profits in the international market. Get your aesthetics perfect, use a straightforward plot, and your movie will be a smash hit. Hanu Raghavapudi produced the movie without any crude humour, any hint of glitz, or even a number-one hit song.
The bottom line: When crafting amusing stories, presentation is everything.
If we must borrow from Karthiekya 2, we can say that the story is entirely original and that the movie is based on a mythological idea. Although there is no significant romance or other typical spice, the audience was captivated by the idea from the very first shot.
The bottom line is to create a new story with an audience-wowing core key notion rather than altered emotions or relationship dynamics.
