Dayaa (JD Chakravarthy), a freezer van driver, is trying to make ends meet while his wife (Eeesha Rebba) is expecting a child. He takes delivery one day and experiences the shock of his life when he discovers a dead corpse inside the truck. When Dayaa learns that the deceased person is a well-known crime reporter (Ramya Nambeesan), chaos ensues. Now, what will Dayaa do? How did the corpse enter his van, and how did he handle the body? And why was this corpse here in the first place? You must watch the programme to find out the answers.

It was wonderful to finally see JD chakravarthy on screen in a significant role. He is excellent in the part of Dayaa. JD does a fantastic job of bringing out how he displays naive feelings then shifts gears in the last few episodes. Dayaa is perhaps one of JD's most composed performances of his career, and he killed it. josh Ravi is pretty amazing in his role as JD's sidekick. Due to the limitations of her role, eesha rebba doesn't get to do much. ramya Nambeesan is given a significant job as a reporter, and she excels at it.

One of the telugu programmes with excellent technical features is Dayaa. The sound design, which is excellent, is the most significant of them all. With his incredible BGM, shravan Bharadwaj brings fire to the performance. The drone views in particular are wonderfully done, and the camera work is excellent. The editing, production design, and conversation are all flawless. Each episode is around 30 minutes long, has a quick narration, and doesn't drag on. It is important to recognise the great writing of Pavan Sadineni. The audience is kept on its toes by the way he has produced so many thrills.

The nicest aspect of the programme is that there isn't much waffling, since there aren't many divergent subplots and off-kilter sequences. Due to the short episode length, there was little room for error, and Pavan was accurate from the very first episode. However, after the first two episodes establish the storyline, the third and fourth episodes slow down a bit as the programme jumps around in time and gets a little boring. But once the fifth episode begins, there is no turning back since Pavan Saidineni's narrative is so powerful.

Here, the drama, thrills, and turns are at their height. None of the characters overact, and Pawan deserves praise for getting good work out of his actors. The idea to make the primary antagonist deaf was thoroughly considered. The show's director, Pavan, has taken care to avoid glorifying violence. It offers enough dramatic and dialogue-based moments to keep you captivated to the television.

Another strength of the programme is how well-executed the director Paavan Saidineni's transformations of the main characters are. The atmosphere and narrative are perfect, and there are several big moments that will make the viewer feel good several times. The presentation is improved by the superb execution of the large-scale sequences. Dayaa is, in a sense, among the greatest recent online shows. With his triumphant return, JD chakravarthy provides us a good cause to watch this show with great interest.

Overall, A Slow Paced Thriller
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Dayaa

G GOWTHAM

06/08/2023 09:19 AM