Mythri Movie Makers has announced a new film pairing Naveen Polishetty with Antony Bhagyaraj, the director of the Tamil hit Siren, according to M9.news. The move signals Mythri's post-Pushpa 2 strategy of diversifying beyond mega-budget action tentpoles into cross-language comedy-thrillers — a genre pivot that also marks Polishetty's push beyond pure comedy.
The 5W+H: Who, What, When, Where, Why, How
- Who: Naveen Polishetty (actor), Antony Bhagyaraj (director of Siren), and Mythri Movie Makers (production house), as reported by M9.news.
- What: Mythri has officially announced a new film teaming Polishetty with Antony Bhagyaraj, pairing a Telugu comedy star with a Tamil action-thriller director in a cross-language collaboration.
- When: The announcement surfaced in July 2025, as reported by M9.news, with production details still emerging.
- Where: The project is being produced under Mythri Movie Makers, one of the largest Telugu-language production houses headquartered in Hyderabad, India.
- Why: Industry chatter suggests Mythri is diversifying its slate beyond mega-budget action franchises following Pushpa 2, while Polishetty is reportedly seeking a genre pivot into comedy-thriller territory to broaden his range and pan-South appeal.
- How: By pairing a director known for gritty Tamil action (Siren) with a star synonymous with Telugu youth comedy (Jathi Ratnalu), Mythri appears to be engineering a hybrid genre — comedy-thriller — designed to travel across language markets without the Rs 300-crore-plus risk of a tentpole.
Here is a casting announcement that, on its face, makes almost no sense — and that is precisely why it is the most interesting production-house move of the month. Mythri Movie Makers, the Hyderabad powerhouse that bankrolled the Pushpa franchise, has officially announced a new film pairing Naveen Polishetty with Antony Bhagyaraj, the Tamil director best known for the action-thriller Siren, as reported by M9.news. A comedy star and an action director walk into a production meeting — but the punchline, it turns out, is a very deliberate business strategy.
To understand why this matters, you have to understand the quiet anxiety humming beneath Mythri's recent boardroom conversations. After the colossal commercial performance of Pushpa 2, the production house finds itself in a familiar post-blockbuster dilemma: how do you follow up a franchise that consumed half a decade of bandwidth and hundreds of crores of capital? The answer, if this announcement is any indicator, is not to build another Pushpa — it is to build several smaller, smarter bets that can cross state lines without the risk of a single-film financial cliff.
Naveen Polishetty's trajectory makes this logic visible. The man who became famous through AIB sketches and then crossed over spectacularly with Jathi Ratnalu — which, it is worth recalling, became his first film to cross the Rs 100 crore mark at the box office, a staggering feat for a Telugu comedy — has been at a career inflection point. Sources close to the industry suggest Polishetty has been actively seeking projects that stretch him beyond the pure-comedy lane. The logic is sound: his fanbase adores him, but the comedy-only bracket caps his per-film valuation and limits his appeal in Tamil Nadu and Karnataka, where audiences associate star power with genre range.
Enter Antony Bhagyaraj. His debut feature Siren demonstrated a lean, muscular command of action-thriller grammar — tight pacing, visceral set-pieces, a world that felt grounded rather than operatic. He is, in other words, the opposite end of the stylistic spectrum from the broad, laugh-out-loud energy that defines Polishetty's screen persona. That contrast is not a mismatch. It is, India Herald's read suggests, the entire point.
What Mythri appears to be engineering is a comedy-thriller hybrid — a genre that has been the quiet cash cow of Tamil cinema for years (think Kaithi's taut thriller energy repurposed with comic relief, or the Vikram Vedha template of moral ambiguity laced with dark humour) but has never had a dedicated Telugu star vehicle built around it. The production house, industry chatter indicates, is betting that Polishetty's comic timing inside Bhagyaraj's thriller framework could produce something genuinely novel: a film that is funny and tense, accessible in Telugu heartlands and equally legible to Tamil and Hindi streaming audiences.
This is not a random experiment. Look at Mythri's broader slate and you see a pattern emerging. After anchoring their identity to Allu Arjun's Pushpa universe — a strategy that delivered enormous returns but also enormous concentration risk — the production house has been quietly diversifying. Multiple mid-budget projects across genres, younger directors, cross-language casting. The Polishetty-Bhagyaraj announcement fits this mosaic like a deliberate tile, not a stray piece.
The deeper industry undercurrent here is one that every major South Indian production house is grappling with in 2025-26: the era of the Rs 300-crore single-film gamble is yielding diminishing returns relative to risk. Audiences are fragmenting across theatrical, OTT, and short-form; the safe middle — a Rs 40-70 crore production with genuine pan-South appeal — is suddenly the smartest square on the board. Mythri, with its Pushpa profits as a war chest, is arguably better positioned than any competitor to make this pivot.
For Polishetty personally, the stakes are significant. His Hindi debut with Chhichhore (2019) introduced him to a national audience but did not, by itself, establish him as a pan-India lead. Jathi Ratnalu proved he could carry a Telugu film past the Rs 100 crore mark. But the comedy ceiling is real — Priyadarshi, Vennela Kishore, and a generation of Telugu comic actors have all bumped against it. To break through, Polishetty needs a film that proves he can act, not just land jokes. A thriller directed by a man who builds pressure for a living is, on paper, exactly that vehicle.
The risk, of course, is tonal whiplash. Comedy-thrillers are notoriously difficult to calibrate — lean too far into laughs and the stakes evaporate; lean too far into tension and the star's core audience feels cheated. Bhagyaraj, for all his Siren credentials, has never directed a comedy. Polishetty, for all his charm, has never carried genuine dramatic weight on screen. Whether the two can find the tonal sweet spot is the open question that will define whether this is remembered as a visionary pairing or an interesting misfire.
India Herald's assessment of what this sets in motion is clear: watch for whether this project greenlights a wider wave of cross-language director-star pairings at the mid-budget tier. If Mythri can demonstrate that a Rs 50 crore Telugu-Tamil hybrid comedy-thriller can return Rs 150 crore across theatrical, satellite, and streaming — without the existential anxiety of a Rs 300 crore tentpole — every production house from Geetha Arts to Lyca will be speed-dialling directors across state lines by the end of the year. The Pushpa era was about one film, one star, one gamble. The post-Pushpa era, Mythri seems to be signalling, is about five films, five genres, five bets — and this Polishetty-Bhagyaraj pairing is the first card on the table.
The real question is not whether this film gets made. It is whether Naveen Polishetty, at 34, has the dramatic range to meet a thriller director halfway — and whether Antony Bhagyaraj has the comic ear to let his leading man be funny without softening the danger. That negotiation, shot by shot and scene by scene, will tell us more about where South Indian cinema is headed than any single franchise sequel ever could.
By the Numbers
- Naveen Polishetty's Jathi Ratnalu crossed Rs 100 crore at the box office, making it his first film to reach that milestone.
- The emerging mid-budget sweet spot for pan-South films is reportedly Rs 40-70 crore production cost, a fraction of the Rs 300 crore-plus range of tentpole franchises like Pushpa 2.
Key Takeaways
- Mythri Movie Makers has announced a new film pairing Naveen Polishetty with Siren director Antony Bhagyaraj, signalling a cross-language comedy-thriller strategy (M9.news).
- The move reflects Mythri's post-Pushpa 2 diversification away from mega-budget single-film gambles toward mid-budget, genre-hybrid projects designed for pan-South appeal.
- Jathi Ratnalu was Naveen Polishetty's first film to cross the Rs 100 crore mark — this new project is reportedly his bid to break the comedy-only ceiling and prove dramatic range.
- Industry sources suggest a new pan-South template is emerging: Telugu stars paired with Tamil directors at the Rs 40-70 crore budget tier, designed to travel across languages on both theatrical and OTT.
- The key risk is tonal calibration — comedy-thrillers require a balance neither Bhagyaraj (pure action) nor Polishetty (pure comedy) has individually demonstrated on screen.
Frequently Asked Questions
Which was the first 100 crore movie of Naveen Polishetty?
Jathi Ratnalu (2021) was Naveen Polishetty's first film to cross the Rs 100 crore mark at the box office, establishing him as a bankable Telugu comedy lead.
Who is Antony Bhagyaraj and what is he known for?
Antony Bhagyaraj is a Tamil film director best known for the action-thriller Siren. His debut demonstrated tight pacing and visceral action set-pieces, earning him recognition in Tamil cinema.
What is Mythri Movie Makers' strategy after Pushpa 2?
According to industry analysis, Mythri is diversifying beyond mega-budget single-franchise gambles by investing in multiple mid-budget, cross-language genre films — including the announced Naveen Polishetty-Antony Bhagyaraj comedy-thriller — to spread risk and target pan-South audiences.
How did Naveen Polishetty become famous?
Naveen Polishetty first gained national recognition through comedy sketches with AIB (All India Bakchod), then crossed over into Bollywood with Chhichhore (2019) before achieving Telugu stardom with the blockbuster comedy Jathi Ratnalu.


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