Director A sushanth Reddy doesn't mess with the kannada movie's spirit and in fact, he dared to blend emotional melodies like Sid Sriram's 'Bagundhi Ee Kalame' and the mellifluous 'Amani Unte' with innovative infusions. The first of the abovementioned songs is beautifully enhanced by Megha and her boyfriend's pretty long, genuine smiles. You wouldn't believe the Kananda version was a songless drama based on the placement and production of the songs and there is a high point and it is the train scene in which Adhi informs Megha that she doesn't comprehend love.


The issue is that the core of the constantly beautiful tunes isn't discovered in the erratic presentations and somewhat superficial talks and there are a lot of lines that are just filler. Arun Adith's character appears to be reciting famous lines to illustrate a point at one point and literally tests us. A whatsapp text like 'Commonsense is not that common', for example, feels oddly dry. 'All good things must come to an end,' a character says elsewhere as if she's informing her LinkedIn contacts of her resignation.


Arjun is the love of Megha Swaroop (Megha Akash) (Arjun Somayajula, a debutant). Her love story is turbulent because fate has other ideas and her tragic love tale leaves her in excruciating pain. There comes a time when only one individual can rejoice her up, and that person is Adhi (Arun Adith). Is it all, however, a happy thing and the fact that megha akash does not come across as a broken spirit in need of healing is a scary fault in 'Dear Megha.' We get the impression that she has been pushed aside in favor of Adhi due to the linear character of the storyline.


The climax is of a certain type, and the execution could have communicated more with silences, and 'Dear Megha' does not break any new ground. This isn't to argue that the plot is uninteresting and it certainly has a lot of souls for sure. Furthermore, Gowra Hari's excellent music rescues the picture from being insipid in several places.

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