Kolamaavu Kolika, an official remake of the tamil film, is set in Punjab, the home of Jaya Kumari nicknamed Jerry (Janhvi Kapoor), her mother Sarbati (Mita Vashisht), and her younger sister Cherry. Jerry must fund Rs 25 lakhs for the therapy after learning that her mother has been diagnosed with stage 2 lung cancer because she doesn't come from a wealthy family. In an odd turn of events, she succeeds in deceiving the police and obtaining a packet of cocaine for Timmy, a local drug dealer (Jaswant Singh Dalal). When she approaches the mobster for work, he is astounded, falls in love with her, and hires her as a hustler.

Obviously, it's a risky choice. Jerry wants to go, but getting out would require selling 100 kg of cocaine. She is innocent but not naive, and she is aware that in order to survive and protect her family, she must outsmart the gang. If she succeeds in doing that, she will have to flee from the police. Can she avoid both of them?

The laugh riot is filled with absurd situations, and every eccentric character is hilarious, including Sarbati and her next-door neighbour Anil (Neeraj Sood), as well as Timmy's trigger-happy sidekick Jigar (Sahil Mehta), conceited and loud Rinku (Deepak Dobriyal), who is in love with Jerry, an absurd cocaine distributor named Malik (Saurabh Sachdeva), the drug lord Daler (S All of the actors wow with their acting prowess. Janhvi does a good job of portraying a walking paradox. Despite her family's objections, she chooses to work as a masseuse. She is aware of when and how a female is expected to speak, remain silent, or laugh. When there is bloodshed, she quakes, yet if she feels threatened, she won't hesitate to kill someone.

When Jerry's family is persuaded to join the company, director Siddharth Sengupta keeps the plot tight and makes the scenario even more intriguing. The movie, however, becomes tedious and muddled toward the conclusion with sequences that do not advance the plot. The lengthy scene where Jerry believes he is being attacked was shocking and felt forced to heighten the humour. Gritty yet polished, the film's aesthetic portrays the small marketplaces and winding lanes as authentically as it does the surrounding scenery. From the dancing song Mor Mor to Jogan and Paracetamol or the dehati-quirky Jhand Ba, Parag Chhabra's soundtrack has been effectively utilised.

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