Because of how it depicts marriage and gender dynamics in joint families, the bollywood movie Mrs. has become one of the most searched-for subjects on google and social media in india and Pakistan.
 
The film depicts a harsh truth regarding arranged marriages, even if the plot centers on well-known topics like as marital troubles, broken premarital ambitions, and the responsibilities of obligation placed on married women.  A lot of viewers, especially women, have noticed that the storyline reflects elements of their own life.
 
The emotional distance between newlyweds Richa and Diwakar, which is evident from their wedding day, is one of the main problems of the movie. Within days, Diwakar's love wanes, reducing their closeness to everyday physical contact.  Even though he is a gynecologist, he is unable to comprehend his wife's bodily and mental suffering.
 
When Richa tells her spouse that she doesn't want "mechanical sex," it's clearer how difficult it is for her.
 
This discrepancy is brought to light in a crucial scene where Diwakar tries to kiss Richa and she says he "smells." He replies, "You smell like the kitchen, and that's the sexiest smell in the world."  However, he mocks her by referring to her as a "sex expert" and discounting her wants when she subsequently pursues tenderness and foreplay.
 

Online debates have been triggered by the film's unvarnished portrayal of these interpersonal difficulties, with many viewers pointing out that males tend to ignore this problem.  Because of their lack of emotional connection and weariness from taking care of the home, many women, like Richa, find themselves avoiding intimacy.
 
Richa's decision to sleep on the couch instead of in her bedroom has struck an especially deep chord with viewers, representing the unsaid hardships faced by many women in conventional marriages.
 
 
 
 

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