With KGF: Chapter 2 becoming a very successful commercial film that grossed more than rrr at the box office, director prashanth neel is the most sought after filmmaker in india right now. The director also has a strong lineup, which includes Prabhas' Salaar, KGF: Chapter 3 and, for the time being, a feature with Jr NTR. But what concerns his admirers is something he should be aware of as well.
While both portions of kgf are set in a dark mood and tint, with elevation scenes and a fantastic non-linear screenplay as important components, it appears like Prabhas' film, Salaar, is carrying the similar feelers, based on the making-videos that are now circulating. And Jr NTR's #NTR31 launch poster revealed that the film will be tinted and textured similarly. Prashanth Neel's supporters are concerned about this.
Fans of the incredibly gifted director are now pleading with him to take attention of these details, as using the same gloomy tone and elevation shots over and over again may become tiresome after a while. That's what happened to many directors, including Asutosh Gowariker, who directed Lagaan, and whose period pictures that followed failed miserably. So, like a Rajamouli, prashanth neel should avoid boring the audience with the same old material and try to provide something new every time. Emotions may be the same, but arrangements should be different.
While both portions of kgf are set in a dark mood and tint, with elevation scenes and a fantastic non-linear screenplay as important components, it appears like Prabhas' film, Salaar, is carrying the similar feelers, based on the making-videos that are now circulating. And Jr NTR's #NTR31 launch poster revealed that the film will be tinted and textured similarly. Prashanth Neel's supporters are concerned about this.
Fans of the incredibly gifted director are now pleading with him to take attention of these details, as using the same gloomy tone and elevation shots over and over again may become tiresome after a while. That's what happened to many directors, including Asutosh Gowariker, who directed Lagaan, and whose period pictures that followed failed miserably. So, like a Rajamouli, prashanth neel should avoid boring the audience with the same old material and try to provide something new every time. Emotions may be the same, but arrangements should be different.
