Reportedly these are the words of Vaianke Ananth Nag, who was the editor of Kannadaprabha and the reason why Ananth Nag entered the kannada film industry. These are the words of Vaianke Ananth Nag, who was the editor of Kannadaprabha and the reason why Ananth Nag entered the kannada film industry. Only his close friends knew the meaning of Vaianke's words, who always mixed puns and spoke jokingly. anant nag is an A1 actor, meaning a first class actor. Most are A2 actors. That is, those who make punchier fighting movies.
Fifty years since anantnag entered the film industry. He turns seventy-five in September. In these fifty years, Anant has enriched kannada consciousness and environment in many dimensions. Sanket made with Shankar, movies produced, plays brought to the stage, achievements in politics, cultural contribution, his contribution to kannada cinema, television roles - all are unforgettable. If we go on to list Ananth's greatest films, we will easily find at least fifty films. The diversity of those fifty films is also surprising. Movies like Sankalpa, Hamsa Geeta, Bara have one weight, while films like Udbhava, Ganesha's marriage have another weight. While giving films like Chandana Gombe, fire Trap, he also gave amazing movies like Moonlight Dance. ``Anupama'' also came out around the time of the number five ace film. He gave movies like Voting, Mauni, Godhibanna average body, Sand Sarpani, Kudremukh and Varnachakra. Meanwhile, films like Naradavijaya and tenali Ramakrishna came.
Anantnag, known as the darling of the middle class, is also known as an intelligent actor. All who have come into contact with him agree that talking to him is an extraordinary experience. Simple, gentlemanly, unassuming and even terrifying when angered. His memory is also enormous. Shlokas learned in his childhood are dear to him. If he delivered tens of pages of dialogues in the play Barrister, it was an achievement of that time, but his performance in ``single shot'', a 17-minute long scene in the film government Senior Primary school directed by Rishabh, is proof that his memory is still fresh.
Anant is an inspiration to new boys. There are two reasons for that. First of all, Ananth Nag will enjoy the role. Second, they read the whole painting. Gives advice. He sits down to talk with the team of directors. It is not theirs to get up after doing their part. Ananth's stand is that the movie should be better than his character.
There are dozens of reasons to celebrate Ananth's birthday, who refuses to join a political party despite his clear political leanings and position, rejects countless invitations from foreign languages, wants to build his own world, does not want unnecessary publicity, is happy to walk in the corridors of politics but comes out of it without any bitterness, likes the atmosphere of a monastery but does not immerse himself in spirituality.
``When kannada cinema was in Madras, journalists were among those who fought for it to come to Karnataka. All of them wrote in newspapers every week and made kannada cinema to settle here. The role of journalists in my life is very big. "They were happy to see my growth," he recalls of the media people from the early days till now. Among his close editors were Vayanke and Lankesar. BV Vaikuntharaj was also there. He used to write a column for Lankesh newspaper.
click and follow Indiaherald WhatsApp channel