After reading his works on the issue, Vennela (Sai Pallavi), a girl from Ghanpur, develops an obsession with Ravanna (Rana Daggubati), the leader of a naxal Dalam (troop). She abandons everything because she loves him so much and sets out to find him and his cause. The rest of the narrative is made up of what transpires in their love story and what happens to her.

In a position that only someone of Sai Pallavi's skill could fill, she does well. Her simplicity and innocence keep the film relevant, and her emotional portrayal in the final 20 minutes of the film is a noteworthy high point. The character of Ravanna was made for Rana. His commanding presence on screen as the unyielding, almost divine leader and his portrayal of some of the more nuanced emotions in the film are impressive. He handles himself nicely and gets along well with sai pallavi, which occasionally helps the movie pull through. naveen chandra doesn't have much of an impact, but priyamani does admirably in a more demanding role. nivetha pethuraj and rahul ramakrishna play roles that are easy to miss.

Unquestionably, the first half of the film is the worst since it starts off with a soulless foundation and quickly moves forward in a dull manner with a few sequences here and there before coming to a terrible and abrupt end. The opening sequence of the film is so absurdly random and amateurish that it sets the tone for the rest of the film in an unsteady manner. sai pallavi is introduced, and the conflict and central idea of the film are quickly conveyed. As such, it only serves as a teaser for what is to come.

The second half is unquestionably superior, partly as a result of the deeper exploration of the naxalite aspect, which is properly handled and keeps the movie fairly intriguing, as well as emotional tangents that give the film its soul. Similar to the previous half, the movie starts off on a very mixed note with uninspired script, aimless direction, a moaning BGM that hurts rather than helps, and more scenes that are just nowhere. Virata Parvam's flaw has always been that there isn't the same sense of connection between characters that films like shyam singha roy did successfully in the romance department; the entire film is realistic yet uninspired.

Virata Parvam is a squandered opportunity to offer a fresh perspective on a well-told tale. The last 20 minutes, the violent moments in the second half, the maternal emotional thread, the production quality and the art design, and the realistic and sincere premise are all positives. On the other hand, the film suffers from shoddy writing, unfocused direction, boring narration, a predictable screenplay, a rambling first half, a lack of any sense of depth in any of the events, deafening BGM, needlessly complicated language, and repetitious situations.
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virata parvam review

SIBY JEYYA

17/06/2022 08:44 AM