The lengthy adaptation process of ponniyin selvan for tamil film is frequently attributed to financial constraints. While partially accurate, the novel's verbosity doesn't mesh well with the visual nature of film. Before someone like mani ratnam, who has a sensibility for both mediums and could bridge the gap, emerged from the tamil film industry, it took some time. In the first movie, Mani steadfastly adhered to kalki Krishnamurthy's novels, which led to criticism that the movie was choppy. While it satisfied the devoted readers, there was still the nagging question of why Mani didn't make some changes to Kalki's book, which is a historical "fiction" with scant supporting data.
After seeing ponniyin selvan 2, one may argue that Mani used the first installment to introduce and set up the epic, and he didn't hesitate to utilise screen time for extravagant song sequences. He is more audacious and significantly departs from the literature in the second section. In this case, mani ratnam, the director, pays more attention to his craft than to the written word. Because of this, ponniyin selvan 2 is a better film than its predecessor.
Ponniyin Selvan is one of the greatest successes in tamil film because it aims to be realistic in an era of green screens and visual effects. Aditha Karikalan (Vikram) and Nandini (Aishwarya Rai) are introduced in a captivating prologue that flashes back to their teenage years. mani ratnam has a tonne of imagination, which is just what this scene requires. You get the impression from the filmmaker that Nandini and Karikalan must have met in a similar manner.
Of course, while he was seated on the horse, smirking, she would have strolled past him at the riverbank wearing her effortful smile. All of it happened. You can believe it thanks to good films. mani ratnam is aware that you can't get there by using solely elaborate sets and CGI. By using such exotic settings for the movie and convincing you that Chola Desam exists, he captures your attention.
After seeing ponniyin selvan 2, one may argue that Mani used the first installment to introduce and set up the epic, and he didn't hesitate to utilise screen time for extravagant song sequences. He is more audacious and significantly departs from the literature in the second section. In this case, mani ratnam, the director, pays more attention to his craft than to the written word. Because of this, ponniyin selvan 2 is a better film than its predecessor.
Ponniyin Selvan is one of the greatest successes in tamil film because it aims to be realistic in an era of green screens and visual effects. Aditha Karikalan (Vikram) and Nandini (Aishwarya Rai) are introduced in a captivating prologue that flashes back to their teenage years. mani ratnam has a tonne of imagination, which is just what this scene requires. You get the impression from the filmmaker that Nandini and Karikalan must have met in a similar manner.
Of course, while he was seated on the horse, smirking, she would have strolled past him at the riverbank wearing her effortful smile. All of it happened. You can believe it thanks to good films. mani ratnam is aware that you can't get there by using solely elaborate sets and CGI. By using such exotic settings for the movie and convincing you that Chola Desam exists, he captures your attention.
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