The hero is introduced to us as a taxi driver who emerges from the background and into the spotlight. He briefly introduces himself before starting to dance to an item tune. We learn his name is "Nenu Meeku Baaga Kavalsinavaadini" when the item girl enquires about him. The foundation of this movie is such an old-fashioned mass-production formula. But to be honest, we find the movie to be interesting in the first half. Twenty minutes after these emotional high points, the movie shifts to the heroine's love story.
The protagonist's tale is interesting. Two mellow tracks are also featured in this episode. The movie runs smoothly up to the intermission. After the intermission, the problem starts. The hero's story unravelling and the conflict emerging very late in the second half of the movie make for a dragging experience. In the end, the fake drama worsens the proceedings. The movie may have been presented in a better way even with the old story.
The movie would have been different even if director Sridhar Gade and writer Kiran Abbavaram had carried over the same effect from the first half to the second.
The protagonist's tale is interesting. Two mellow tracks are also featured in this episode. The movie runs smoothly up to the intermission. After the intermission, the problem starts. The hero's story unravelling and the conflict emerging very late in the second half of the movie make for a dragging experience. In the end, the fake drama worsens the proceedings. The movie may have been presented in a better way even with the old story.
The movie would have been different even if director Sridhar Gade and writer Kiran Abbavaram had carried over the same effect from the first half to the second.
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