Dharma (Rakshit Shetty) is one of the most pessimistic people you'll ever meet. He is a self-centered individual who lives a mundane existence at home and is unconcerned about anything. He comes across a dog named charlie one day and despises it. He takes every effort to get rid of it, but an emotional twist in the story causes him to become connected to it. The basic theme of this lovely picture is what kind of difference charlie made in Dharma's life.
Rakshit Shetty is fantastic as the gruff and haughty adolescent. The kannada celebrity, on the other hand, emotes the transition he brings from a bad to a good person. The success of any animal-based film is determined by the behaviour of the animals. Charlie, the Labrador in this film, is so adorable that you can't help but fall for his antics. The best part of the movie is the way charlie has been taught to emote. Charlie's scenes with rakshit shetty are very wonderful. bobby Simha is a terrific actor, but he didn't receive much screen time to show off his skills.
Nobin Paul's BGM is lovely, especially the ones composed for all of the melancholy sequences. The camerawork is mediocre in the beginning of the film, but it improves as the story progresses to the pre-climax. The storyline isn't fantastic, and scenes start to drag after a while. Kiranraj wastes a lot of time setting up the premise, and once he does, he fails to inject it with a captivating script. The backdrop is perfectly complemented by the clothes, images, and production design.
Rakshit Shetty is fantastic as the gruff and haughty adolescent. The kannada celebrity, on the other hand, emotes the transition he brings from a bad to a good person. The success of any animal-based film is determined by the behaviour of the animals. Charlie, the Labrador in this film, is so adorable that you can't help but fall for his antics. The best part of the movie is the way charlie has been taught to emote. Charlie's scenes with rakshit shetty are very wonderful. bobby Simha is a terrific actor, but he didn't receive much screen time to show off his skills.
Nobin Paul's BGM is lovely, especially the ones composed for all of the melancholy sequences. The camerawork is mediocre in the beginning of the film, but it improves as the story progresses to the pre-climax. The storyline isn't fantastic, and scenes start to drag after a while. Kiranraj wastes a lot of time setting up the premise, and once he does, he fails to inject it with a captivating script. The backdrop is perfectly complemented by the clothes, images, and production design.
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