The opening of "Boyfriend For Hire" is clichéd. The heroine enters the scene at minute 23 after a slew of sequences that seem familiar from other movies. Even the idea of a "Boyfriend For Hire" seems implausible. It is disgusting to observe that in the first half, every girl, even the heroine, has only one objective: to hire the hero. Up until the intermission twist, which intrigues the audience and creates some anticipation for the second half, everything is dull and lifeless. However, the second half loses more of its impact due to the dragged-out emotional situations and the outmoded scene structure.

Even when sudarshan attempted to add some humour with his ring comedy in the second half, the movie still didn't benefit. Young audience-oriented movies require a blend of humour and additional amusing thrills. All attention is maintained on the main plot, which is a pretty weak one; none of these other parts are given any consideration. The necessary rom-com moments are completely absent.

Even though the principal performers don't have many familiar faces, the character actors have a decent amount of padding. But the film's script itself is where the issue lies. The phrase "Boyfriend For Hire" suggests a kind of escort service. However, it is fabricated to give this a favourable spin in order to legitimise heroics.

The audience doesn't find the required traits in this movie to like, even travelling all the way to the theatre, leaving aside the hero's pursuit of the heroine with the five attributes. When the narrative style adheres to some innovation, the plot element may be out of the ordinary. The ability of the director is demonstrated by the movement of 24 craft in this manner. It's like adding salt and spice into the sweet by marketing the movie as a typical rom-com, introducing the idea of Boyfriend For Hire, and then turning it into a melancholy aspect in the second half.
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boyfriend for hire

G GOWTHAM

15/10/2022 12:16 PM