The chief ministers of the two states are depicted as thugs who frequently gather in one place to plan their black money schemes. The pinnacle of everything is the protagonist getting past the chief ministers' security by beating them up on their own to get into their homes and kidnapped their daughters in a helicopter.
The 'wind' effect is a need in boyapati films. The characters will take a step back in amazement as the wind hits them in any moment where the director wants the viewers to feel euphoric or excited. The climax of the impact comes when the protagonist broadcasts his murderous rampage live on television and the villains watching experience the "wind blow effect" as well.
While the variety of choreography in action scenes is thought to be a marketing gimmick to attract audiences, the story and the narrative sometimes lack coherence and logic. Well, individuals who attempt to decipher Skanda's logic or reason may be let down. While many people on social media were speculating about the identity of the film's "Skanda," the filmmaker revealed the existence of "Skanda II" with a flashback to Morocco.