A producer of movies typically lived off of liabilities, always owing money to his investors, which was carried over from one movie to the next unless the movie was a major smash. He had a chance to settle his debts and get clean only that one day. This was also heavily dependent on his distributors and whether they paid his overflow (share of the profit after recovering his investment). Almost always, the distributors were just partially truthful.

Some filmmakers' finances were set up in such a way that the financier actually owned the world rights to their films. He was in charge of every transaction, including the movie's earnings, up until the point at which he made back his initial investment or for a predetermined amount of time. In such a situation, the profits flowed to this world rights holder even if the movie was successful. The creator of karan Johar's dharma Productions, film producer yash Johar, was the clearest example of such an understanding. With the largest of stars, yash Johar produced a number of well-received films, including "Duniya," "Duplicate," "Agneepath," and "Gumrah." Johar, however, was never successful.

Then, after finding success with "Dostana," a movie starring amitabh bachchan and Shatrughan Sinha, his profit was mortgaged to the movie's global rights manager for the following ten years! yash Johar would chuckle at his predicament because of who he was. I score one hit, and the money goes to someone else. The film industry operated in a similar manner. The producer was the one who assembled a project, toiled away for a year or two, and received little to nothing in return at the conclusion. The producer was well aware of his predicament, but he lacked any means of escape. A recent decision by the Multiplex Association of india (MAI) states that a hindi movie will only be released on OTT platforms eight

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01/08/2022 12:11 PM