
Theatrical Release
Mahavatar Narsimha, an animated mythological film directed by Ashwin Kumar, was released in theaters on July 25, 2025.
The film was launched in multiple languages: Hindi, Tamil, Telugu, kannada, and Malayalam.
It has successfully completed 50 days in theaters, maintaining a strong presence at the box office.
Box office Performance
The movie impressed audiences across regions, performing especially well in Hindi, Telugu, and kannada markets.
With its stunning visuals and powerful storytelling, the film managed to captivate both young and adult viewers.
The worldwide gross collection has crossed ₹325 crore, making it one of the biggest hits of 2025.
Production and Budget
Directed and written by Ashwin Kumar, the project was ambitious yet relatively economical in terms of production.
The core production budget was reported to be around ₹15 crore.
Including promotion and marketing expenses, the total cost is estimated at ₹40 crore.
Considering the worldwide earnings, the film stands as a massive commercial success, with profits far exceeding costs.
OTT Release
After its roaring box office journey, the film is now available for streaming.
OTT Platform: Netflix.
Languages available: Hindi, Tamil, Telugu, and Kannada.
This gives audiences who missed the theatrical experience a chance to enjoy the epic tale from the comfort of home.
Audience Response
Viewers praised the animation quality, mythological depth, and grand visual effects.
The film has resonated strongly with families, especially children and mythology enthusiasts.
It is being regarded as a landmark film in the indian animation space.
Sequel Announcement
Given the overwhelming response, the makers have officially confirmed a sequel.
The next installment in the Mahavatar universe is expected to release in 2027.
Audiences are eagerly awaiting to see what new mythological adventures unfold in the sequel.
✨ Mahavatar Narsimha has not only set benchmarks in animation and storytelling but also proved that indian mythological cinema has immense potential both theatrically and digitally.