The song “Shararat” from the upcoming film Dhurandhar has quickly turned into a blockbuster sensation, dominating social media, reels, and music charts. While the track has received massive attention for its catchy tune and vibrant visuals, it has also sparked unwarranted criticism and ridicule directed at tamannaah Bhatia, who features prominently in the song.
A Song That Did Its Job—Perfectly
“Shararat” is designed as a high-energy, glamorous commercial number, and by all measures, it has succeeded. The choreography, styling, and Tamannaah’s screen presence have played a major role in making the song go viral. industry insiders point out that the track’s popularity itself proves its effectiveness as a promotional and entertainment tool.
Critics argue that Tamannaah’s performance is being unfairly judged through a narrow lens, ignoring the fact that such songs are crafted to appeal to mass audiences and festive viewers.
The Double Standards at Play
What has raised eyebrows is the selective outrage. Male actors routinely perform exaggerated, stylised dance numbers without facing the same level of scrutiny. tamannaah, a seasoned performer with a strong body of work across industries, is being reduced to memes and ridicule despite doing exactly what the role demands.
Cinema observers note that this reflects a gender bias that continues to exist in audience perception—where women are often criticised more harshly for glamour-driven performances.
Tamannaah’s Proven Range
Tamannaah is not just a song-and-dance performer. Her filmography includes:
Strong dramatic roles
Content-driven films
Commercial blockbusters
Female-led narratives
Judging her career—or her credibility—based on one commercial song ignores her versatility and longevity in the industry.
Why “Shararat” Works
The success of “Shararat” lies in:
Tamannaah’s confident screen presence
The song’s infectious rhythm
High recall value for audiences
Mocking the performance misses the larger point: the song is doing exactly what it was meant to do—entertain and create buzz.
A Call for Fair Criticism
Criticism is part of cinema culture, but it must be fair and contextual. Ridiculing an actress for embracing glamour in a commercial song reflects outdated attitudes rather than informed critique.
As Dhurandhar gears up for release, “Shararat” has already achieved its purpose by keeping the film in the spotlight. Instead of dismissing Tamannaah’s performance, it may be worth acknowledging the skill, confidence, and professionalism required to deliver a song that connects with millions.
Glamour is not a flaw. Entertainment is not a crime. And tamannaah deserves respect—not ridicule.
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