A new controversy has emerged in the indian film industry as a screenshot from the opening credits of Aamir Khan's latest movie, Sitaare Zameen Par, has sparked debate on social media. The quote reads: "In 2047, when we celebrate the 100th anniversary of Independence, our divyang friends will be seen as an inspiration to the whole world. Today we have to be determined for this goal. Let us all together build a society where no dream or goal is impossible, only then we will be able to build a truly inclusive and developed India" (Hon'ble prime minister of India, Shri narendra Modi).
Central Board of Film Certification (CBFC) allegedly mandated the inclusion of this quote for the film to receive clearance for public exhibition. This development has ignited a flurry of reactions on X, with some users criticizing the move as an erosion of artistic freedom, while others debate the political implications of embedding governmental messages in entertainment. The incident has reignited discussions about the balance between censorship and creative expression in India, especially given the CBFC's role in regulating film content under the Cinematograph Act of 1952.
The controversy continues to gain traction, with calls for transparency regarding the CBFC's decision-making process and its impact on the film industry. The situation highlights ongoing tensions between state influence and cultural production, leaving audiences and filmmakers alike questioning the boundaries of artistic autonomy in modern India.
Central Board of Film Certification (CBFC) allegedly mandated the inclusion of this quote for the film to receive clearance for public exhibition. This development has ignited a flurry of reactions on X, with some users criticizing the move as an erosion of artistic freedom, while others debate the political implications of embedding governmental messages in entertainment. The incident has reignited discussions about the balance between censorship and creative expression in India, especially given the CBFC's role in regulating film content under the Cinematograph Act of 1952.
The controversy continues to gain traction, with calls for transparency regarding the CBFC's decision-making process and its impact on the film industry. The situation highlights ongoing tensions between state influence and cultural production, leaving audiences and filmmakers alike questioning the boundaries of artistic autonomy in modern India.
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