Silvat (2018): Playing a Muslim darzi in tanuja Chandra's forty-minute film located within the crowded gully of what seems like Mumbai's Haji ali locality, Kartik is each bit Anwar, the shy, touchy tailor who develops a secret ardour for his favored client: a lonely, deserted spouse, Noor (Meher Mistry), whose husband has migrated to Riyadh for a job with nary a glance back for the woman he has left in the back of.

The focal point of the passionate plot, pulsating with unstated passion, is Noor, but it is Kartik Anwar who silently steals the display. There's no exhibition of outward passion here, and yet so much is stated through Anwar's eyes. Every stolen glance is laden with longing. The movie is shot on location in a Muslim locality with streetside providers frying parathas and malpuas and hawkers selling bangles. The bustle of the street is weighed against those heavy, loaded silences between Noor and Anwar. That is 1997, and riots don't take place handiest on the streets; sometimes they also occur in a girl's lonely heart.

Umrao jaan (1981). 1981 turned into the year of realistic cinema, with Smita Patil in Marathi and hindi in Jabber Patel's Subah and saritha in Okay. Balachander's tamil Thaneer and Jennifer Kendal in 36 Chowringhee Lane, pulling out all the stops. But rekha as Umrao jaan was more special. She proved she was the chosen one. Umrao jaan turned into the tale of a restless woman whose wandering soul takes her through warm and robust relationships with a bashful Nawab (Farooq Shaikh), her formative years pal and admirer (Naseeruddin Shah), and a protracted-haired dacoit (Raj Babbar). There may be a hint of dangerous poetry inside the presentation, as though beneath all of the posturing of decorum, those characters are hungering for the identical primeval satisfaction that less subtle ladies and men express in a far more direct and sexual language. The superbly crafted story starts off evolved and ends with a song. Inside the starting, we see the kid Umrao frolicking to the sounds of the traditional Bidaai track Kahey ko biyahi bides. The child is then abducted and trained to be a complicated tawaif. At the give-up, Umrao is back at her long-lost home, revisiting her childhood memories through the tune Yeh kya jagah hai doston? Tune and track have always been taken into consideration as an imperative part of hindi cinema. In no way have they been more critical than in Umrao Jaan. The lyrics, tunes, and Asha Bhosle's supple making of a song bring the courtly tale to outstanding heights of expression. Rightfully, Khayyam and asha bhosle gained national awards for his or her efforts. So did rekha, controversially beating Jennifer Kapoor's poignant performance in aparna Sen's 36 Chowringhee Lane to the honor. Umrao jaan remains Rekha's mother in India. She'll continually be diagnosed and wah-wahed for this role rather than any other. Now she has something else remotely corresponding to Umrao jaan in her repertoire. Interestingly, at some stage in the same year as Umrao jaan, rekha was also visible in yash Chopra's Silsila as the elusive, enigmatic, vintage-international beauty looking for love.

Chaudhvin Ka Chand (1960): Guru Dutt's first and most effective 'Muslim Social,' a style of cinema that celebrated the out-of-date, if not altogether non-existent, Nawabi tradition, was made to counter the losses he suffered with the autobiographical Kagaz Ke Phool. At the same time as that film changed into all approximately life, Chaudhvin Ka Chand had nothing to do with actual existence. Muslim first-rate friends Aslam and Nawab (performed with the aid of Guru Dutt and his real-life friend Rehman) each love the identical beauty, Jameela (Waheeda Rehman). The title song, written with the aid of Shakel Badayuni as the ultimate ode to love and splendor, captured the actress in all her resplendent splendor in color, while the rest of the film is in black and white. The film is set inside the metropolis of nawabs, Lucknow, and captures the ethos of luxuriant romance as a substitute flamboyantly. This is Guru Dutt's least diffused work.

Mere Mehboob (1963): This Muslim social blockbuster featured Rajendra Kumar and Sadhana, non-Muslim actors, who fall in love on a beach and have to undergo various storms in ornate teacups before the ultimate nikaah. The film was outstanding in capturing the colors, tune, and festive temper of a decadent nawabi tradition. The songs composed with the aid of Naushad are specifically delightful in their dulcet delicacy. My preferred being Sadhana and Nimmi dancing round water fountains and under sparkling chandeliers, singing Mere Mehboob mein kya nahin, not knowing that the 'Mehboob' they may be each crooning about is the equal man or woman. After the release of this movie, Sadhana became frequently flawed for a Muslim, and she cherished it. rahul Rawail's father, H. S. Rawail, directed this all-time hit.

Pakeezah (1972): meena Kumari lived the a part of the tawaif Sahib jaan, and the credit score for her coronary heart-melting overall performance have to visit a massive volume to the tune by way of Ghulam Mohammed. As sung by way of Lata Mangeshkar, the Mujras, the existence and breath of each tawaif's tale, are among the finest heard in indian cinema: Chalte chalte yuhi koi mil gaya ttha, Teer-e-nazar dekhenge, Thare rahiyo ho banke yaar re, Inhi logon ne le lee na dupatta mera…which one can we choose? All or none? I ought to watch Pakeezah one million times for the songs. meena Kumari's overall performance turned into based completely at the music. For the duration of a massive a part of the film's shooting, meena Kumari could not even pass due to sick fitness, not to mention dance. The Mujra Chalte Chalte changed into shot with refrain dancers, and Teer-e-nazar was accomplished with the aid of a replica dancer, Padma Khanna.

Nikaah(1982): The movie that dared to undertaking the Sharia legal guidelines of India. Salma Agha, freshly imported from Pakistan, played spouse to deepak Parasher, who divorces her with the aid of announcing Talaq thrice. Boldly, the film questions the male partner's right to discard his marital obligations on a whim. Salma Agha not simplest performed the lead but also sang Ravi's chartbusting compositions, which went a long way in making this film a superhit during the yr of amitabh Bachchan's Nalam Halaal, Khuddar, Satte Pe Satta, and Desh Premee. Again, the song of ravi went a long manner in accentuating the movie's love triangle wherein Haider(Raj Babbar) loves Nilofer(Salma Agha), who ends up marrying Wasim(Deepak Parasher), who divorces her after announcing 'Talaq' three times. Even as Ms Agha turned into a Muslim, the two heroes had been Hindus. raj babbar as soon as advised me he needed to brush up on his urdu to apprehend a number of the songs and dialogues before vocalizing them.

Hum Saath Saath Hain: at the same time as most would choose Sooraj Barjatya's Hum…Apke Hain Koun as the remaining festive fare, this sense-properly observe-up after the ancient Hum…Aapke Hain Koun from Barjatya's college of familial merrymaking has a string of first rate stars from salman khan to ali KHAN' target='_blank' title='saif ali khan-Latest Updates, Photos, Videos are a click away, CLICK NOW'>saif ali khan ingesting, making a song, and dancing thru a flow of nursery-rhyme styled songs composed in juvenile fashion by means of ram Laxman. The entire 4-hour film is a pride binge for Alok Nath's Chaturvedi circle of relatives as they picnic, birthday party, and celebrate from Eid to diwali to marriage anniversaries. Existence is one lengthy birthday party in this thinly plotted excuse to rejoice the joys a family togetherness.

Padosan: a lovely own family comedy, timeless and perpetually exciting, presenting comedian geniuses kishore kumar and mehmood as rivals in love looking for the attention of the beauteous saira banu through songs that R. D. Burman composed in a kingdom of sheer proposal. The amusing by no means stops. The song never ends. That is comedy that targets itself at each stratum of viewership and hits the bull's-eye. Ek chatur kar ke shringar brings the residence down on every occasion. Experience it this festive season.

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