Subham, which is set in the tiny village of Bheemili, centers on three friends—two of whom are married.  The third, srinivas, is taught how to be an alpha man by his friends just before his wedding.  When a television series called Janma Janmala Bandham is introduced on Srinivas' first night, things don't go as planned.  The main premise of the film is based on the tv show and how it relates to srinivas and his friends' lives and how they solve the issue. 

The three companions, played by Charan Peri, Gavireddy srinivas, and Harshith reddy, are suitable for their roles.  They readily conform to the character archetypes they are intended to represent, which helps to make up for a lot of the acting shortcomings.  Without a doubt, Harshith reddy is the most notable of the three.  As a hero, he has more responsibility than others and approaches situations tactfully. Despite the fact that his part is one-dimensional, Gavireddy srinivas has his moments. Charan Peri is on the mend. 

The same is true for the female leads and the actors that play them in the pairings with Charan Peri, Gavireddy, and Harshith.  The best among them is Shriya Kontham, who is followed by shalini Kondepudi and Shravani Lakshmi.  The most frequently used element of their act is their shared characteristic, protruding eyeballs.  And now, at last, Samantha.  It's likely that you will be furious and disappointed if you are a fan of hers and you came to the movie just because of her.  Her function is restricted, and it is also ineffective.  She also comes across as distracting and raises unwarranted expectations because she is the only star in the entire film. 

There are very few performers in important parts, aside from the main cast previously listed.  The senior artist portraying the mother figure and Vamshidhar Gaud are the only ones given a task.  Despite not being in the main scheme of things, both are sufficient and are able to register. 

Vivek Sagar provides the background score for the film, while Shor police provides the song.  The latter is unquestionably the most important aspect of the film, and vivek Sagar presents it in his typical manner.  The quirky yet grounded humor is enhanced by the funkiness.  Additionally, there are numerous quiet passages with no music at all, which have also been thoughtfully positioned.  Cinematographer is Mridul Sujit Sen.  

On the plus side, the frames are often tidy and convey a small-town feel.  However, the visual could have been much more vibrant considering the setting, the space, and the peculiarity of the concept.  The way it is, it looks like a short film with a low budget on a large screen. 

Overall, If you keep your expectations under check, it's a decent one-time watch!
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Subham Review

G GOWTHAM

09/05/2025 10:52 AM