Based on the valor of Saurashtra warrior Hamirji Gohil, who defended the sacred somnath temple from invaders, the film, lamentably, falls short in almost every aspect.
Critics point out how the film's writing remains closely stimulated by its opposition, Chhaava, and the world-building looks like a negative man's knock-off version of Bahubali.
Early evaluations say suniel shetty seems the element but doesn't supply, sooraj pancholi impresses with action but lacks depth, and vivek Oberoi's villainous act leans too theatrical to feel truly menacing.
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Regardless of a celebrity-studded cast, the film ends up looking like a fancy dress gala (probably a concept from Cannes) without an emotional intensity.
Social media is flooded with sarcastic comments, and the funniest one yet has to be "Cannes can wait. kesari VEER is a top contender for the Facepalm d'Or prize."
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The person on X did a smart wordplay, with Palme d'Or being the very best award given at the Cannes movie pageant and a facepalm, which is a gesture used to express explicit embarrassment.
Many visitors also talked about how the movie leaned an excessive amount on provocation, using Islamophobic undertones to cash in on the emotions of an already communally divided audience.
One reviewer also went as far as mentioning that if the movie had been launched in an exceptional generation, it might've been banned.
Aside from the disastrous writing and path, the songs also didn't have any don't forget fees because the target audience complained they randomly began and ended without all of us noticing.
For a film about courage and valor, kesari Veer ironically lacks both.
Here is a tip for Bollywood's next historical drama: Do the research, take a while, and aim to entertain—not push propaganda for a quick greenback from a divided audience..jpg)
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