The film opens with arjun Sarkar, a violent and aggressive police officer who is notorious for treating criminals brutally, being arrested for reasons that are not immediately made clear to the audience. He starts talking to a fellow prisoner about his background while he is incarcerated.
 
Arjun Sarkar is shown in the past as a Superintendent of police in Jammu and Kashmir, where he received a great deal of recognition for his brutal effectiveness in combating terrorists.  He quickly discovers a more complex conspiracy, though.  Thirteen murders are carried out with the same level of accuracy throughout india in a single day, raising fear across the country.  Arjun begins an inquiry that eventually identifies a covert group and its advanced, terrifying techniques. The remainder of the narrative focuses on arjun Sarkar's discovery of their activities.


HIT 3 has a more cinematic, larger-than-life style than the previous HIT films, which concentrated mostly on a major incident followed by a "whodunit" inquiry.  Here, the narrative focuses more on high-stakes action and criminal thriller components than it does on procedural investigation.  The tone changes from realistic detective work to a more stylized tale in which the hero takes the lead in saving victims from a criminal network due to the limited investigative depth. 

Although they receive little screen time, the movie also has love and family themes.  samuthirakani portrays Nani's father, and their amusing interactions work well.  Notably, Nani's audacious, foul-mouthed remarks in the first half are noteworthy; they strike a powerful chord with younger audiences and general viewers.

The plot delves further into the world that the hero infiltrates in the second half, which is when the main plot points are disclosed.  With its ominous, high-stakes environment, the story briefly has a Squid Game feel about it.  With the unexpected appearance of two more heroes in the conclusion, the rescue scene is designed to appeal to a wide audience and will excite both front-row seats and admirers.
 
Technically speaking, the cinematography is well-balanced, successfully portraying the intricate forest settings as well as the imaginatively created sets that draw inspiration from the Squid Game style.  The film's powerful tone is complemented by the visual execution.  


The film is expertly crafted by director Dr. Sailesh Kolanu, who incorporates appropriate medical allusions and a realistic depiction of violence that is consistent with his training.  These components give depth and improve the narrative.  However, there are moments when the film feels prolonged due to its erratic pacing.
 
The music of Mickey J. Meyer is passable but unmemorable.  Regarding production, Wall poster cinema and Nani's own company, Unanimous Productions, both provide excellent production values that complement the film's ambitious scope. It should come as no surprise that nani is the most outstanding actor; he inhabits the part with amazing accuracy and passion, giving a performance that is almost flawless and propels the whole movie.  However, srinidhi shetty plays a very little part and has little influence.


Even though the antagonist and setup are heavily developed, the antagonist's portrayal eventually falls short of expectations.  It is primarily a one-man show driven by Nani's outstanding performance because there aren't any other noteworthy supporting characters.
 
Conversely, the movie doesn't plant any genuinely innovative narrative seeds and lacks originality in its basic storytelling.  It has problems with runtime length.  With strong references to Squid Game, Kill Bill, and john Wick, the main USP is its attempt to deliver a sleek, stylized action thriller, especially in the second half.  The core material doesn't offer much originality, despite the packaging feeling new.


Overall, The Weakest of the Franchise, But Still Delivers - Thanks to Nani!

Ratings: ⭐⭐⭐ 


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