When Kataru ravindra Yadav begins shepherding the goats owned by his dad in the Nallamalla district of Rayalaseema, he is motivated by self-interest. ravindra believes that if he assists a hundred lambs in fetching water during a significant drought, he will be guaranteed a nice job in the city due to his good karma. He discovers that his existence is intertwined with the forest, as fate would have it.


While the story takes in the Nallamalla forest, the movie was shot in the Anantagiri Hills during the first wave of the coronavirus pandemic last year over the course of 45 days. For attempting something that most filmmakers would shun for a myriad of purposes, director krish Jagarlamudi and his team of experts (cinematographer VS Gnana Shekar in particular) deserve praise. You may accuse krish of anything, but you have to admire how his films' emotional arcs feel fulfilled.


The love song should have flowed naturally. Rather, Obulamma (Rakul Preet Singh) acts as though she has been assigned the responsibility of schooling the male protagonist. This isn't like those rural tourist films where the hero is tasked with showing the lady around his community's pastoral/green landscape. At the same moment, it feels a little manufactured, especially since Obulamma is a character that exists only in the film and not in the novel on which it is inspired.
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SIBY JEYYA

09/10/2021 12:30 AM