However, the focus of the narrative changes to the opulent Ritz, where all of the action takes place. The director fills the scene with a variety of personalities, many of whom have bizarre idiosyncrasies and antics. Therefore, naresh Agastya, Viva Harsha, Gundu Sudharshan, and other artists are playing sporadic roles that enter and exit the story. It's a good idea to divide the screenplay into chapters. The entire situation may therefore be viewed as a pair of long shorts that were joined to create a bigger picture. Once more, it's a concept that works well on paper but looks clumsy on screen.

The fact that the chapters are divided into additional genres just makes problems worse. Just a few examples include the Robbery track, the Sad App block, and the Jail sequences. There are more, and they are all combined with ridiculous and extravagant scenarios. A story that is unequal is the outcome. As the story develops and the main characters are still being presented, the first half seems to be adequate. The intermission is wonderful and leaves one eagerly anticipating what lies ahead.

Sadly, the second half falls flat. Almost nothing works, save from a few amusing moments. Although it is clear that a lot of work was put into it, the writing falls short. Additionally, the story feels erratic because of the overabundance of characters. It becomes tiresome by the time one reaches the climax. One hopes that all will be over soon. One's mind spins in sheer boredom or disgust at the stylistic decisions and editing. Happy Birthday is an original attempt at comedy as a whole. But it falls short of offering a seamless story from beginning to end. We find it to be uninteresting and perplexing in the end.
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G GOWTHAM

08/07/2022 01:59 PM