Sarath Mandava is unable to effectively convey such scenes. In the movie, divyansha kaushik plays ravi Teja's wife. Later in the second half, the filmmaker seems to have become aware of her presence. Up until that point, we observe her making tea or doing housework. His wife unexpectedly visits the house of his previous girlfriend and discovers her husband's "greatness." Finally, she receives a song (a dream song in Spain). Rajisha and Divyansha don't belong in this tale.

The director's screenplay is uneven despite having a good premise. Our tolerance is being tried by the boring narration. The research process takes too long, and the climax—which includes a tease for a sequel—is another failure. In the first half, too many details are given when they are not necessary, but when they should have been neatly wound up, the effort is lost.

Overall, "Ramarao On Duty" is neither a mainstream movie nor a sophisticated view. Because of the uninteresting narration, the attempt to tell a serious (?) story with mass Maharaja ravi Teja fails. The general perception is that government workers in offices sleep while they are at work. The director most likely intended for the audience to fall asleep during this movie in order to support that opinion.

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sarath mandava

G GOWTHAM

30/07/2022 11:44 AM